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Bulletproof Screenwriting™ Podcast

Bulletproof Screenwriting

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The Bulletproof Screenwriting Podcast shows you how to make your screenplays bulletproof. Weekly interviews with Oscar® and Emmy® award winning screenwriters, story specialists, best-selling authors, Hollywood agents and managers, and industry insiders. We cover every aspect of the screenwriting process. This is the screenwriting podcast for the rest of us. No fluff. No BS. Just straight talk that will help you on your screenwriting journey. Some of the past guests include 3X Oscar® Winning ...
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Designed to help you navigate the screenwriting industry, Final Draft, interviews working screenwriters, agents, managers, and producers to show you how successful executives and writers make a living writing and working with screenplays, and how you can use their knowledge to break into the industry. Subscribe today to catch every episode!
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Welcome to The Screenwriting Life, a podcast where Oscar-nominated writer Meg LeFauve and Emmy-nominated writer Lorien McKenna discuss not only the craft and business of Screenwriting, but also the emotional life: the ups and downs of being a creative, to remind you that you are not alone and to keep writing.
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The Writer's Cut: A Screenwriting Podcast

Andrea Berting and Trevor Owens

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The Writer's Cut is a movie podcast by screenwriters, for screenwriters. Each episode, we discuss a movie that won a screenplay award from the Writers Guild of America. The full list: https://boxd.it/lhVYQ The Writer's Cut is not affiliated with the Writers Guild of America.
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Matt Bird (author of "The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers") and James Kennedy (author of the novel "The Order of Odd-Fish") have raucous debates about the craft of novel writing, screenwriting, storytelling (and anything else they want to fight about!) Through their discussion you will learn how to be a better storyteller.
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Just Shoot It is a podcast about directing hosted by directors. Each week we interview filmmakers on writing, cinematography, development and acting to learn how to build a successful career as a filmmaker in the Hollywood industry. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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Hosted by screenwriter and producer Hudson Phillips, the ScriptBlast Screenwriting Podcast exists to help you write better screenplays and write a better life. Jumpstart your productivity in our private screenwriting community! Join today at https://members.scriptblast.com. Learn more at http://www.scriptblast.com.
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Join Liam Dekel as he interviews screenwriters around the world. The Student Screenwriting Podcast teaches young screenwriters how to perfect their craft and how to break into the industry. We are proudly part of the Harvard College Podcast Network!
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Are you aching to write a script but don't know where to start? I'm Linda and I'd love to help you unlock your voice. Drawing on over 10 years of writing experience (including an MFA in screenwriting from USC), I teach sensitive souls like you how to write a script that radiates your most authentic voice, all while teaching you how to create a sustainable writing process that's healing, restorative, and customized to your needs. Being a human is hard enough. Let's let screenwriting be easefu ...
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Let's autopsy the screenplays of your favorite films and TV shows. We'll talk the craft you can learn from their concrete examples, as well as the underlying theories and philosophies behind their storytelling structures. Hosted by Carl Albert. Hosted on Acast. See acast.com/privacy for more information.
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Daily discussions about the latest movies and television, including analysis and pro-tips from our global network of screenwriters. Visit thescriptdepartment.net for more shows in our podcast network and to keep up-to-date on our latest projects. Welcome to The Script Department. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-script-department-screenwriting-discussion--3123141/support.
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Interviews with members of the Screenwriters Network Discord server. Guests include professional screenwriters with produced film and television credits. Emerging writers who have optioned screenplays and made The Black List, Blood List, and Hit List. Get insight on how to finish at the top of contests from Austin Film Festival winners and Nicholl Fellowship Finalists. Each episode we discuss the writing process, screenwriting contests, fellowships, dealing with rejection, optioning scripts, ...
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Welcome to The Successful Screenwriter Podcast your go-to source for in-depth discussions, expert insights, and captivating interviews in the world of screenwriting. Hosted by seasoned screenwriter Geoffrey D. Calhoun, this podcast is a valuable resource for both novice and experienced screenwriters, offering a wealth of insights and guidance. About the Podcast: Dive deep into the art and craft of screenwriting with our engaging episodes that cover a spectrum of topics – from mastering the s ...
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The Indie Film Academy® Podcast features interviews with industry insiders in every aspect of the filmmaking process. Our goal is to give filmmakers as much information as possible about the entire filmmaking process so that they don't make the mistakes that many filmmakers have made in the past. Our focus is not simply on one way to make a film, but of the many different ways that filmmakers have found success with a variety of funding and distribution strategies. We also discuss technical ...
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Indie Film Hustle is dedicated to showing you how to hack filmmaking & the film business. Interviews with Acadamy Award® / Oscar nominees and industry professionals giving you the real deal from the inside with no BS, just the truth on what it takes to survive and thrive doing what you love. We discuss cinematography, RED Camera, Arri Alexa, Blackmagic camera, post production, color grading, filmmaking, visual effects, motion graphics, film festivals, editing, film crews, directing, producin ...
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“It was a lot of empathizing. I would do long phone calls with Abel (Tesfaye, aka the Weeknd) after we had met, just basically talking to him and finding out more of his history, where he was at in different phases of his life, where he’s at today, and using those to create a character. And part of creating that character is I’ll find my own person…
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Have you ever felt totally anxious sharing your script with someone — like your stomach is in knots just hitting “send,” secretly hoping they’ll just say, “It’s amazing, you’re a genius”? Or maybe you’ve gotten feedback that just made you more confused or even made you wonder if you should keep writing at all? Trust me, you’re not alone—I’ve been t…
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JOIN TSL WORKSHOPS: https://tslwokshops.circle.so Trey Edward Shults is an inspiration to directors everywhere — including Jeff. His debut feature, KRISHA, was a no-name psychological drama shot in his own home on a shoestring budget under $30K. Against all odds, it won SXSW, screened at Cannes, and eventually sold to A24. KRISHA stands as a beacon…
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Today’s guest is writer/director Natalia Leite. This director is one of the bravest filmmakers I’ve ever met. Her work on the VICE documentary ‘Life as a Truck-Stop Stripper was breathtaking. Not only did she direct the piece but one of the subjects in the film as well. Take a look below at her amazing work.Everyone knows what charming places strip…
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Trey Edward Shults https://www.imdb.com/name/nm4099092/ has been called a visionary film director. Matt and Oren chat with Trey about his bold leap into auteur filmmaking—what it means to claim that title and how he made it happen. What did he learn as a nineteen-year-old loading IMAX film for Terrence Malick on the edge of a live volcano? And is g…
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It's another episode of Matt's new podcast, "A Good Story Well Told" with Jonathan Auxier, this time discussing "The Giver", but from now on, to get new content, you'll have to subscribe to the "A Good Story Well Told" feed. Meanwhile, this feed will remain active so you can enjoy the wonderful archives of Matt and James's content.…
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How do dramatic questions create tension? In this episode, Stu and Chas delve into the cultural phenomenon of ADOLESCENCE. We try to find the craft tools that have made the show so compelling and such a catalyst for conversation. In particular, we breakdown how the show’s emphasis on questions creates tension: not just tension through plot, but ten…
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“Sometimes it’s easier to find and access your truth through ‘pretend’ characters. So I had this embarrassment of riches of this true story but in my heart, I was like, ‘I totally get to tell my truth!’… So my advice is find a way to do it, and if you have to do a mind trick by saying, ‘I’m writing this pretend character’ that’s fine, but put all t…
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“For me, I don’t know how you could not make [a script] personal. I think drama allows you to hide how personal it is. I think that’s kind of what I like about writing in the genre space. On the outside looking in, it just looks like a big action movie. It doesn’t look like a personal story. But there are personal elements like my mom was a working…
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JOIN TSL WORKSHOPS: https://tslworkshops.circle.sol In this special edition of our mailbag series, we’re flipping the script. Instead of questions from newcomers, today we hear from working, professional screenwriters—people already inside the industry, navigating the real-world challenges of a creative career. From handling difficult notes to sust…
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Today on the show we have Slamdance Grand Jury winning filmmaker Hasan Oswald. Hasan's story is pretty inspiring. He did exactly what I preach all the time, he picked up a camera and began to tell his story. He made his first short film that was later tweeted by Stephen Fry, and the National Geographic came calling to work on their film Hell on Ear…
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Ever wonder how "The Studio" perfected comedic timing using oners and one-shot scenes? Eric Kissack, who edited the entire season for Seth Rogen, shares his tips, tricks, and behind-the-scenes insights into how the show comes together. When the funniest people in the world need to ensure a script or edit is hilarious, they turn to Eric. Matt and Or…
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On today’s episode, we speak to writer Brandon Osterman, whose short script ‘The Naughty List’ won last year’s Final Draft Big Break Short Screenplay Category. As part of his prize package, he received a consultation with Sav Rodgers, Marketing Manager for Seed&Spark, the film industry’s most popular crowdfunding platform. Sav joins the conversatio…
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“One of the things we talked a lot about in the room is that very rarely do people set about their day saying, ‘Okay, I’m going to go do some evil.’ But for most people, we’re all sort of the leads in our own stories and we’re all crafting the narrative of who we want the world to see us as. And we do start to believe that. You tell yourself these …
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The Writer's Cut - Episode 35: Love in the Afternoon (1957) 10th Writers Guild of America Awards - Best Written Comedy - Screenplay by Billy Wilder and I.A.L. Diamond The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Les Girls…
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Ever feel like making a standout indie film on a super small budget is…well, impossible? Like, how could your little movie ever compare to the big-budget films out there? Trust me, I get it. But in this episode, I share the real truth: you absolutely can create a film on a microbudget that truly punches above its weight. Not just something you’re p…
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JOIN TSL WORKSHOPS: https://tslworkshops.circle.so BUY ROB'S BOOK: https://www.amazon.com/FILM-DIRECTORS-FIELD-MANUAL-Filmmaking/dp/1662850549 Whether you're on set or on the page, great storytelling relies on clarity, efficiency, and emotional truth. This week, veteran director Rob Spera joins us to discuss his new handbook on the fundamentals of …
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Sean Mullin is an award-winning filmmaker. His critically-acclaimed feature film debut as a writer/director — Amira & Sam — won the top prize at numerous festivals and was distributed theatrically by Drafthouse Films. He’s the co-writer/co-producer of the film, Semper Fi – alongside Oscar-nominated director Henry-Alex Rubin (Murderball) and Oscar-n…
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Jody McVeigh-Schultz shares his journey from editor to director of Amazon’s *Spy High*. Matt and Oren quiz Jody on exactly what made him the right fit for the job. And they delve into the techniques he uses to uncover hidden stories in footage directors might overlook. Jody also opens up about landing an agent—and what he wishes he had done differe…
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The Writer's Cut - Episode 34: 12 Angry Men (1957) 10th Writers Guild of America Awards - Best Written Drama - Screenplay by Reginald Rose The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Love in the Afternoon Ed's Notes: I hope you're staying…
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Emily Brundige was tired of waiting around for gatekeepers to say yes. So, she stopped asking. In this candid conversation with Lorien, Emily shares how her frustration with the traditional hurry-up-and-wait pitch process pushed her to self-produce an animated short. That project — born from passion, resourcefulness, and a refusal to wait — eventua…
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Today on the show we have 18 time Emmy Award-winning filmmaker Jeff MacIntyre. Jeff is the director of the new film The Great Cookie Comeback. Famous Wally Amos introduced us to his famous cookie in 1975. It was love at first bite! 🍪 Then...he lost it all to a big corporation. For 30 years, Wally’s been hustling to get it back. At 82, facing huge p…
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Carlyn Hudson returns! Matt and Oren dive into the art of game-time decisions on set—when to stick to the plan and when a last-minute change is worth the risk. It's a great discussion about leadership, with hands-on, real-world insights that go beyond theory. Carly shares her take on navigating tough calls, balancing respect for the crew, maintaini…
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The Writer's Cut - Episode 33: Friendly Persuasion (1956) 9th Writers Guild of America Awards - Best Written Drama - Screenplay by Michael Wilson The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: 12 Angry Men Ed's Notes: 1) Untitled Goose Game …
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Read Lois Weber: More than a Writer-Director She’s the Auteur Activist of Early Cinema Read about more women from early Hollywood Related posts: From Silent Murder Mysteries to Andy Hardy’s Americana, Agnes Christine Johnston Wrote it All – Dr. Rosanne Welch, Script Magazine, November 2024 Her Career Outlasted the Hays Code: Kathryn Scola – Dr. Ros…
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Read Her Career Outlasted the Hays Code: Kathryn Scola Read about more women from early Hollywood Related posts: Writing Successful Films into her 60s? Zelda Sears Did It! – Dr. Rosanne Welch, Script Magazine, March 2024 So Much More than Merely Her Chocolate Cake Recipe – Dr. Rosanne Welch, Script Magazine, February 2024 From Silents to Talkies to…
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Carla Banks-Waddles (BEL-AIR) has lived many lives as a writer. From being a valued member of multi-cam half hour rooms, to pivoting towards single cam serialized family dramas, Carla has had a wonderfully diverse career. How? She wrote her way there. Enjoy Carla's insightful, optimistic, and sometimes obsessive approach to how we can craft our dre…
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Matt and Oren are back to basics and pushing creative boundaries. Whether it's tackling passion projects, experimenting with constraints like shooting anamorphic on the vertical, or using AI to spark human creativity, they’re finding new ways to innovate. And hey, sometimes a mocktail and a first-class movie night are all you need for fresh inspira…
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The Writer's Cut - Episode 32: Around the World in 80 Days (1956) 9th Writers Guild of America Awards - Best Written Comedy - Screenplay by James Poe, John Farrow, and S.J. Perelman The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Friendly Per…
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JOIN TSL WORKSHOPS: https://tslworkshops.circle.so TAKE BRENT'S CLASS: https://www.brentforrester.com/webinar Brent Forrester wasn't naturally funny, and he's the first person to admit it. And yet, when Brent was in his early 20s, he studied comedy like a science, and it has fostered one of the most successful comedy writing careers of anyone worki…
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Our guest today, RJ Cutler opened up 2021 with his raw, emotional, and remarkable new documentary Billie Eilish: The World's a Little Blurry. He’s a phenomenal documentary and TV director and producer with nearly thirty years of experience in the business. The $2 million dollars documentary film which was directed, written, and produced by Cutler c…
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Can a well-timed email get you on SNL as a director? Oz Rodriguez made it happen. But TV was a whole different game back then! The formula, though, remains the same: great comedy actors make comedy directors look great. Oren and Matt chat with Oz about how directors can cast incredible comedic talent. Plus, Oz spills secrets on getting the best per…
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“If you can make the twists [in the story] hit your character in an emotional way and set up their emotional arc, then when the case twist intersects with them, if it's hitting them in the deepest way, in the most unexpected way, maybe – then you've done your job. So it's getting that emotional arc to really bounce off of the crime story in the mos…
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On today’s episode of Write On, we chat with Kim Rosenstock, co-creator and co-showrunner for the new limited series, Dying For Sex, starring Michelle Williams, Jenny Slate and Sissy Spacek. Based on a true story, Dying for Sex is about a woman diagnosed with metastatic breast cancer who abandons her husband of 15 years to begin a journey of sexual…
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The Writer's Cut - Episode 31: The King and I (1956) 9th Writers Guild of America Awards - Best Written Musical - Screenplay by Ernest Lehman The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Around the World in 80 Days Ed's Notes: 1) Needoh Ni…
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Let me introduce to you all, filmmaker and award-winning film-preneur, Greg Hemmings – Chief storyteller and CEO of Hemmings House Pictures limited. I wanted to address the serious problem of verbal abuse interns and other crew persons face on film sets from directors, producers, or others in charge.Why would I invite a CEO to discuss this topic? W…
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Matt and Oren take a hard look at the current state of the film and TV industry in the wake of the LA fires, pandemic, strikes, AI, and streaming. It’s some real talk about the challenges facing production, including tax incentives, union rates, and the ongoing struggle to keep jobs from leaving the LA area. And they explore potential solutions to …
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Welcome to today's session, where we dive into what it truly means to be a revolutionary filmmaker. This isn’t just about making films; it’s about tapping in to the power of your creative voice in challenging times. I'll be sharing insights into how you can take whatever gets you fired up—those things that make you angry, sad, or hopeful—and transf…
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The Writer's Cut - Episode 30: Mister Roberts (1955) 8th Writers Guild of America Awards - Best Written Comedy - Screenplay by Frank Nugent and Joshua Logan The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: The King and I Ed's Notes: Just go wa…
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How can we teach our audience new storytelling rules in the middle of our story? Following on from our episodes on establishing tone through action lines and through character, this is what we have been building up to: how to pull off a tonal switch… that does not throw the audience out of the film. And, in particular, how to pull that off on the p…
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“I didn’t really set out to make Cordelia (Uzo Aduba) quirky. I just wanted to make her distinctive. I just really thought about who I wanted her to be and how I thought [birdwatching] would be an interesting way for her to approach her job. And the very first thing that came to me was just her use of silence and her ability to just be comfortable …
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